In the face of this kind of misplaced hysteria, good rappers don’t back down. They defend the right to use words in the same way any novelist or filmmaker is free to do. They tell their personal truths.
Deborah Levy takes a road trip through death, celebrity and the automobile
You are an accident waiting to happen. You are a complete wreck. What is driving you to do this? Will the automobile (a fusion of libido and machine) ever lose meaning as a sexualized instrument to be controlled and mastered?
How should we react when people fall? By Sunita Soliar
'Last Halloween, a woman was thrown out of a fourth-floor window in Marylebone. I was heading back to my flat on Chiltern Street with the intention of watching The Texas Chainsaw Massacre, a film that I had always avoided.'
Every summer we were ordered out into the garden with machetes to chop down the grass, which grew above our heads. We loathed having to spend summer days in manual labour, but we never dared question our father’s authority.
For a place teeming with the ghosts of empire, hard labour, hard liquor, sailors and prostitutes, it’s almost unbearably tranquil. This Britain isn’t broken: it’s just quiet to the point of being unsettling.
'Riding past a crowded pavement on a hot day, swallowing consecutive gusts of perfume, sunscreen, cigarette smoke, and sometimes even halitosis, you realize just how helplessly intimate we all are in this city.'
'This was her grandest bid to bring something back from the ruins. She was not reading despite the bombs; she was reading with them, and the two – reading and bombs – are jumbled together in one of her last letters.'